Ilmar Raag – Klass AKA The Class (2007)

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Plot summary:
Introvert Joosep is the butt of crude jokes from his classmates who are irritated by his taciturn nature. The only support he has comes from Kaspar, whom he sits next to in class.

Quote:
This isn’t a sociological probe into the theme of adolescent bullying which might turn violently against the perpetrators, but more a universal reflection on the darker sides of the human soul, often hidden beneath an attractive exterior, ready to provoke an unexpected reaction under excess pressure. The acting performances of the leads, in particular, give the story – a linear progression where silly pranks develop into a tragic outcome – a highly credible dimension. Continue reading Ilmar Raag – Klass AKA The Class (2007)

James Clayden – Hamlet X (2004)

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James Clayden, described by Adrian Martin at this year’s Rotterdam Film Festival as ‘one of Australia’s best kept artistic secrets’, returns to MIFF following the screening of his highly acclaimed Ghost Paintings series in 2003. His latest audiovisual collage is a meditation in image and sound on Shakespeare’s Hamlet. Employing a symphonic structure, this latest UFO (Unidentified Filmed Object) from Clayden is a haunting and atmospheric work. Continue reading James Clayden – Hamlet X (2004)

Philip Powrie & Keith Reader – French Cinema: A Student’s Guide (2003)

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The study of French cinema has expanded dramatically in recent years, as it is increasingly taught alongside literature in modern language departments. Many entrants to courses have no previous experience of film study. This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema, while giving them an understanding of the concepts and techniques involved in the study of film. It also contains a model essay, sample film analyses, and an appendix of statistics, filmography, bibliography and glossary, making this book an indispensable and comprehensive resource. Continue reading Philip Powrie & Keith Reader – French Cinema: A Student’s Guide (2003)

Tomris Giritlioglu – Güz sancisi AKA Pains of Autumn (2009)

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As the year 1955 is moving towards autumn, Turkey’s increasingly tense political atmosphere starts to cast its dark shadow on the glittering beauty of Beyoglu. Behcet is the only son of a father in whom the government and the bureaucracy take a close interest due to his strong influence in Antakya. While working as a research assistant at the Faculty of Law in Istanbul, Behcet is falling under the sway of extreme nationalism as a result of his upbringing and the influential role model of his father. The only thing that causes Behcet to stumble on this road is the woman he secretly observes through the window of the apartment opposite his own. This woman, who is aware that she is being observed by Behcet, is Elena. She is one of those peerless beauties making up the cosmopolitan kaleidoscope of Beyoglu. A prostitute with a childlike spirit, she is sold off to high-level bureaucrats by her grandmother, who herself is a former prostitute. Continue reading Tomris Giritlioglu – Güz sancisi AKA Pains of Autumn (2009)

Mario Martone – Noi credevamo AKA We Believed (2010)

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In the wake of the ferocious repression by the Bourbon reign of the 1828 uprisings, three Southern Italian young people whose families are involved decide to join Giuseppe Mazzini’s Young Italy movement. In the course of four episodes, each corresponding to a little-known page from the history of Italian unification, the lives of Domenico, Angelo and Salvatore are tragically marked by their mission as conspirators and revolutionaries, leading to an existence suspended between moral rigour and murderous instinct, spirit of sacrifice and fear. (~europeanfilmawards.eu) Continue reading Mario Martone – Noi credevamo AKA We Believed (2010)