This evocative tribute to the mother of American avantgarde film calls forth the spirit of one who was larger than life as recounted by those who knew her. Friends and contemporaries float through her homes, recalling in tiny bits and pieces words of Deren’s architectural and personal interior space. Clips from her films are projected back into the spaces where they were originally filmed. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know.”
BERLINALE Continue reading Barbara Hammer – Maya Deren’s Sink (2011)
Measuring Change consists of two shots, which run for about 30 minutes each. The camera is completely still and its placement seems to be exactly the same for both. The film revisits Robert Smithson’s Spiral Jetty, his landmark 1970 sculptural work on the northeast shore of the Great Salt Lake, which the director had already interacted with in Casting a Glance (2007). The filmmaker seemingly repeats the vantage point of one of the shots he made ten years before, allowing the jetty to spiral towards the center of the frame. Yet, there are two major differences. While Casting a Glance was shot on 16mm, and dealt with the durational limitations of the film reel, Measuring Change is shot on digital, which allows one to watch Smithson’s work through Benning’s camera for a much longer period of time (in the Q&A after the screening, he mentioned that he actually prefers the digital image over film – something one doesn’t hear often coming from filmmakers). The other difference is that this time the lake has receded so far back that the Smithson’s piece is completely surrounded by land, while the shore gets lost in the horizon. Continue reading James Benning – Measuring Change (2016)
Apocalypse. Two starving kids find a dead body in the ruins.
From the director of An Elephant Sitting Still and under the supervision of Béla Tarr Continue reading Hu Bo – Jing li de ren AKA Man in the Well (2016)
Mia Hansen-Løve’s Eden, co-written with her brother Sven Hansen-Løve, is based on 20 years of his life as a DJ of electronic music, during the heyday of French Touch. While it is as personal as her previous film Un amour de jeunesse, the rhythm of Eden is structured by the music. Authenticity remains key, which does not necessarily mean naturalism. Hansen-Løve’s momentary excursions into animation, split screen, and possibly re-writing of world history are the most effective parts. EyeForFilm Continue reading Mia Hansen-Løve – Eden (2014) (HD)
An Anthropological Television Myth is an excuse to introduce television anthropology into the culture debate, reading the history of a country and its people through the archives of hundreds of private TV stations scattered throughout Italy.
MUBI’s take wrote:
A great example of how seemingly mundane footage can be reused to create a work of social importance, this exercise in visual history-telling uses a medium representative of popular culture as a tool for the reading of social movements and citizen engagement in a Sicilian city. Continue reading Maria Helene Bertino & Dario Castelli & Alessandro Gagliardo – Un mito antropologico televisivo AKA An Anthropological Television Myth (2012)
In the heat of the summer. A lonesome house in the countryside between woods and corn fields. Nine-year-old twin brothers are waiting for their mother. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. It emerges an existential struggle for identity and fundamental trust. Continue reading Severin Fiala & Veronika Franz – Ich seh, Ich seh AKA Goodnight Mommy (2014)